体育学刊
體育學刊
체육학간
Journal of Physical Education
2015年
6期
14-18
,共5页
体育美学%游戏美学%感性冲动%形式冲动%游戏冲动%康德%席勒
體育美學%遊戲美學%感性遲動%形式遲動%遊戲遲動%康德%席勒
체육미학%유희미학%감성충동%형식충동%유희충동%강덕%석륵
sports aesthetics%game aesthetics%perceptual impulse%formal impulse%game impulse%Kant%Schiller
游戏说是体育学界探讨体育起源及本质问题的重要理论,通过对席勒游戏美学的归纳与演绎,得出以下结论:席勒游戏美学与其他后世学者在有关“体育与游戏”问题上的见解存在差异,是对康德美学的继承与发展,具有先验性和经验性两大特征:1)先验性特征带有康德审美理想意味,这种游戏美将美的形式作为审美判断标准,认为游戏之美是一种无利害、无目的的自由美;2)经验性特征带有席勒审美情愫,这种游戏美将物质实在作为审美判断标准,因此,游戏之美成为一种形式感和生命感充盈的经验美。这种经验美提示:观看体育比赛或进行体育运动的游戏冲动,实质上是一种混杂着感性冲动和理性冲动的审美体验,这种审美体验的不断积淀便构成热爱某项体育运动所必须拥有的审美经验,这是潜藏在席勒游戏冲动中,促使体育与游戏关系相互转化的审美内核。
遊戲說是體育學界探討體育起源及本質問題的重要理論,通過對席勒遊戲美學的歸納與縯繹,得齣以下結論:席勒遊戲美學與其他後世學者在有關“體育與遊戲”問題上的見解存在差異,是對康德美學的繼承與髮展,具有先驗性和經驗性兩大特徵:1)先驗性特徵帶有康德審美理想意味,這種遊戲美將美的形式作為審美判斷標準,認為遊戲之美是一種無利害、無目的的自由美;2)經驗性特徵帶有席勒審美情愫,這種遊戲美將物質實在作為審美判斷標準,因此,遊戲之美成為一種形式感和生命感充盈的經驗美。這種經驗美提示:觀看體育比賽或進行體育運動的遊戲遲動,實質上是一種混雜著感性遲動和理性遲動的審美體驗,這種審美體驗的不斷積澱便構成熱愛某項體育運動所必鬚擁有的審美經驗,這是潛藏在席勒遊戲遲動中,促使體育與遊戲關繫相互轉化的審美內覈。
유희설시체육학계탐토체육기원급본질문제적중요이론,통과대석륵유희미학적귀납여연역,득출이하결론:석륵유희미학여기타후세학자재유관“체육여유희”문제상적견해존재차이,시대강덕미학적계승여발전,구유선험성화경험성량대특정:1)선험성특정대유강덕심미이상의미,저충유희미장미적형식작위심미판단표준,인위유희지미시일충무리해、무목적적자유미;2)경험성특정대유석륵심미정소,저충유희미장물질실재작위심미판단표준,인차,유희지미성위일충형식감화생명감충영적경험미。저충경험미제시:관간체육비새혹진행체육운동적유희충동,실질상시일충혼잡착감성충동화이성충동적심미체험,저충심미체험적불단적정편구성열애모항체육운동소필수옹유적심미경험,저시잠장재석륵유희충동중,촉사체육여유희관계상호전화적심미내핵。
The game theory is an important theory for the sports circle to probe into issues about sports origin and nature. By inducing and deducing Schiller’s game theory, the authors drew the following conclusions: there are significant differ-ences between Schiller’s game aesthetics and successor scholars in terms of their opinions on the issue of “sports and games”; Schiller’s game aesthetics is the inheritance and development of Kant’s aesthetics, provided with priori and em-pirical characteristics: 1)its priori characteristics have the flavor of Kant’s aesthetical ideal, such beauty of games considers the form of beauty as an aesthetical judgment criterion, believes that the beauty of games is a sort of harmless and pur-poseless beauty of freedom; 2)its empirical characteristics are tinted with the sentiments of Schiller’s aesthetics, such beauty of games considers material reality as an aesthetical judgment criterion, therefore, the beauty of games becomes a sort of empirical beauty full of the sense of form and the sense of life. Such empirical beauty prompts: watching a sports game or the impulse to play a sporty game is essentially a sort of aesthetical experience mixed with a perceptual impulse and a rational impulse, the constant deposit of such aesthetical experience constitutes the aesthetical experience that must be owned for loving a certain sport; such aesthetical experience is the aesthetical core that hides in Schiller’s game impulse and promotes the mutual transformation of relationship between sports and games.