CAJ | 학술논문

影片《归来》中陆焉识“归来”的失败是其身份危机的表征，从后精神分析学来看，这种身份危机的症结在于冯婉瑜经受实在界创伤后幻象空间的营构，而幻象空间中欲望主体和小客体之间的悖谬关系也导致了陆焉识身份危机的解决困境。影片那个意味深长的结尾除了体现一种悲情色彩之外，还涉及到一种幻象伦理。
영편《귀래》중륙언식“귀래”적실패시기신빈위궤적표정，종후정신분석학래간，저충신빈위궤적증결재우풍완유경수실재계창상후환상공간적영구，이환상공간중욕망주체화소객체지간적패류관계야도치료륙언식신빈위궤적해결곤경。영편나개의미심장적결미제료체현일충비정색채지외，환섭급도일충환상윤리。
In the film Coming Home,Lu Yanshi's return failure is a token of his identity crisis. From the post-psycho-analytic view, the crux of this identity crisis lies in the fact that Feng Wanyu constructs fantasy space for real trauma, and the perverse relationship between the desire subject and a small object in the fantasy space leads to difficulties in solving Lu Yanshi's identity crisis. The meaningful end of the film not only reflects a color of sadness, but also relates to a kind of fantasy ethics.