CAJ | 학술논문

中国画的构图讲究置陈布势、经营位置，同西方的平面构成相比既有其自身的艺术特点，又有许多共同之处。在不同的历史文化背景下，中国画的构图崇尚天人合一、主观意象的艺术境界；西方的平面构成寻求元素组构、理性抽象的设计理念。本文是从中国画构图与西方平面构成的两种艺术角度出发，阐释艺术构成的相同与相异，通过经典作品的解读阐释构成的造型理论和形式法则，体会西方平面构成对现代中国画创作的影响与作用。
중국화적구도강구치진포세、경영위치，동서방적평면구성상비기유기자신적예술특점，우유허다공동지처。재불동적역사문화배경하，중국화적구도숭상천인합일、주관의상적예술경계；서방적평면구성심구원소조구、이성추상적설계이념。본문시종중국화구도여서방평면구성적량충예술각도출발，천석예술구성적상동여상이，통과경전작품적해독천석구성적조형이론화형식법칙，체회서방평면구성대현대중국화창작적영향여작용。
The Chinese painting values the overall arrangement and the position of each part,which both has its own features and has some similarities with western plane of the painting constitutes.Under the different his-torical culture,Chinese painting advocates the integrity of human and nature and subjective image.While the western painting seeks the composition of all elements and the objective and abstract designing concept.This paper starting with the two artistic angles,discusses the similarities and differences and by interpreting the clas-sical works explaines the theroy of mould and the law of form and helps to understand the western influence and function on Chinese painting.