CAJ | 학술논문

巴赫金的对话理论认为,语言只可以理解为一种文化交流,它包括具体个人和集体两方面.文本并不局限于作者的陈述,而是加入到社会力量和其它声音的多声部中.在<可不是闹着玩的>中,海勒的陈述与瓦尔格的叙述之间表现出一种滑稽的对抗.<可不是闹着玩的>让读者明白,对话主义不仅能作为后现代复调小说的结构原则,还可能成为改善人际交流和现实生活方式的手段.
파혁금적대화이론인위,어언지가이리해위일충문화교류,타포괄구체개인화집체량방면.문본병불국한우작자적진술,이시가입도사회역량화기타성음적다성부중.재<가불시료착완적>중,해륵적진술여와이격적서술지간표현출일충활계적대항.<가불시료착완적>양독자명백,대화주의불부능작위후현대복조소설적결구원칙,환가능성위개선인제교류화현실생활방식적수단.
Bakhtin's theory of dialogism suggests that language can only be understood as a cultural exchange both individual and particularized, and communal. No text is limited to the statements of the author, but rather it joins in the polyphony of social forces and other voices.Dialogism in No Laughing Matter is boded forth in the comic parries between Heller's narrative and Vogel's account. No Laughing Matter drives home to the readers Mikhail Bakhtin's concept of dialogism as the possible means to the betterment of interpersonal communication and the way of existence.