CAJ | 학술논문

从公元4世纪罗马人将玻璃用在建筑门窗上开始,玻璃作为一种神奇的材料经历了漫长的发展历程。直至当代,玻璃材料更是建筑设计领域热衷的话题,其制造技术、建造体系、表达方式和哲学意义也更为丰富。本文以当代建筑作品为例,从三个既独立又相互联系的视角,剖析建筑师对玻璃材料之于空间、环境、审美情趣和哲学范畴上的探索,探讨玻璃作为建筑材料的诗性表达,获得另外一种对于建筑的人本思考。
종공원4세기라마인장파리용재건축문창상개시,파리작위일충신기적재료경력료만장적발전역정。직지당대,파리재료경시건축설계영역열충적화제,기제조기술、건조체계、표체방식화철학의의야경위봉부。본문이당대건축작품위례,종삼개기독립우상호련계적시각,부석건축사대파리재료지우공간、배경、심미정취화철학범주상적탐색,탐토파리작위건축재료적시성표체,획득령외일충대우건축적인본사고。
Since the 4th century when glass was applied in the windows and doors of the buildings by the Roman. this magic material has experienced a long development process. Nowadays, the glass material is still a focus topic in architecture design. The manufacturing technique. building system, expression way, and philosophy implication become more prosperous. Taking some contemporary architectural works as examples and from three independent and linked angles, this article makes an analysis on the glass material used by the architects for space, environment, esthetics and philosophy, discusses the poetic expression of glass as architectural material, and has a humanism thinking on architecture.