城市建筑
城市建築
성시건축
URBANISM AND ARCHITECTURE
2013年
20期
286-286
,共1页
造园艺术%审美%自然%文化
造園藝術%審美%自然%文化
조완예술%심미%자연%문화
garden art%aesthetic%natural%cultural
《园冶》造园艺术，比较全面地体现了园林美学的最高境界。本文从文化角度对该书进行分析，总结得出计成的园林艺术境界取决于他具备的造园审美水准。他的审美意识、审美修养是造园艺术的基石，审美价值观念是造园理论和造园艺术创作手法的生成之源。
《園冶》造園藝術，比較全麵地體現瞭園林美學的最高境界。本文從文化角度對該書進行分析，總結得齣計成的園林藝術境界取決于他具備的造園審美水準。他的審美意識、審美脩養是造園藝術的基石，審美價值觀唸是造園理論和造園藝術創作手法的生成之源。
《완야》조완예술，비교전면지체현료완림미학적최고경계。본문종문화각도대해서진행분석，총결득출계성적완림예술경계취결우타구비적조완심미수준。타적심미의식、심미수양시조완예술적기석，심미개치관념시조완이론화조완예술창작수법적생성지원。
The garden art of “YUANYE” fully embodies the highest realm of landscape aesthetics. Based on the analysis of the book from the perspective of culture, this paper concludes that the garden art realm depends on garden aesthetic level of Ji Cheng. His aesthetic consciousness, aesthetic self-cultivatio-n is the cornerstone of garden art, and the aesthetic value is the generating source of the landscape gardening theory and gard-ening art creation.
