CAJ | 학술논문

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说大美者不失其赤子之心--论武星宽水墨重彩美学意义
설대미자불실기적자지심--론무성관수묵중채미학의의
Discussion on the Innocence of the Esthetics--The Aesthetic Meaning of Xingkuan Wu Heavy Variety Ink Theory

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城市建筑城市建築 성시건축
URBANISM AND ARCHITECTURE
2013年 12期 285-285 ,共1页

赵梦琪趙夢琪

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禅宗%水墨重彩%构图禪宗%水墨重綵%構圖
선종%수묵중채%구도
Zen Buddhism%wash painting in heavy color%co-mposition

　　本文以“水墨重彩”美学为切入点，对武星宽教授在当代的美学意义进行了评价。透析了武星宽教授作品中所营造的具有东方审美情趣的抽象表现主义意味，其画作广纳公家之长，由繁复归于心中赤子之本真。
　　본문이“수묵중채”미학위절입점，대무성관교수재당대적미학의의진행료평개。투석료무성관교수작품중소영조적구유동방심미정취적추상표현주의의미，기화작엄납공가지장，유번복귀우심중적자지본진。
In this article, the author takes the aesthetic"wash painting in heavy color" as the starting point to evaluate the contemporary aesthetic significance of Professor Wu Xingkuan, and analyzes the abstract expressionism mean of the aesthetic taste in the works of Professor Wu Xingkuan. Professor Wu’s paintings absorb the strengths of others, and from complex to the nature heart.